In the context of Australia, Indigenous art holds unique significance. It represents one of the country's most profound contributions to global culture and continues to draw increasing international attention. Highly prized for its authenticity, sophistication, and deep connection to Country, Indigenous Australian art is now collected by major institutions across Europe, North America, and Asia.

Arriving in Bangkok for the final week of the Bangkok Art Biennale (BAB) 2024, titled Nurture Gaia, I knew my step counter was in for a serious workout across 11 diverse venues. Thankfully, Bangkok’s flat terrain made the journey manageable—though the city’s ever-present heat proved to be an endurance test in itself.

This year's biennale, marking its fourth edition, ran from October 24, 2024, to February 25, 2025, showcasing 76 artists from 39 countries. Over 240 artworks were spread across an array of venues, ranging from traditional heritage sites to cutting-edge contemporary spaces, each offering a unique engagement with the overarching theme: Nurture Gaia.

Two Idiots captures a period of tremendous artistic output for Adam Cullen, framed by his achievements in 2004 and 2005. This piece not only exemplifies his signature style but is also secured by its strong provenance, making it a compelling acquisition for collectors and a vital piece of Cullen’s legacy.

Ben Quilty has firmly established himself as a leading figure in contemporary Australian art, renowned for his bold, expressive works that often challenge societal norms. As Quilty's reputation has grown, so has the market for his art, with his works consistently achieving impressive prices at auction. However, like all artists, the pricing of Quilty's works is influenced by various factors, including the specific piece, its provenance, and prevailing market conditions.

The Archibald Prize has long been a cornerstone of the Australian art scene, celebrated for its rich history and occasional controversies. Established in 1921 through a bequest by J.F. Archibald, founder of The Bulletin magazine, the prize was intended to promote portraiture and honor the memory of great Australians.

As the world's largest free-to-the-public sculpture exhibition, this annual event celebrates its 25th year, drawing art enthusiasts, families, and tourists alike into a mesmerizing exploration of the intersection between art and nature.

She stood out like an A-list celebrity in a local bar, and we just couldn’t help but rubberneck every time we passed her by.

The sights in Barcelona are plentiful, from sun-drenched beaches where you can watch beach volleyball to wandering through streets enveloped by the enticing aromas of local restaurants and the heat of a summer's day. As you navigate the myriad of winding streets and alleyways, you'll encounter places rich in history and culture, spaces where the luminaries of art history have trod before

As someone who journeyed from Australia to Switzerland, this was my inaugural experience at the event, thus adding an extra layer of anticipation for what would unfold over the subsequent days.

Drawn by the allure of one of Australia's most distinguished artists, Tracey Moffatt, I ventured to Poland to immerse myself in the exhibition "No Master Territories: Feminist Worldmaking and the Moving Image

Stepping into the gallery, I found myself enveloped in a mesmerizing tapestry of color and emotion, with a hint of the Australian High Commission subtly purveying the room—fitting for an artist of Barton's stature.

Drawn from previous editions of the Bangkok Art Biennale and the Bangkok Art Biennale Foundation collection, this showcase offered a tantalizing glimpse into the evolution of contemporary art.